Penfold Press Journal

Clive Hicks-Jenkins and writer Ed Carey have become fast friends since working together on These Our Monsters, an anthology of short stories for E...

The Stain of Sin. Gouache and pencil crayon. Private collection.   Quite early in my career as a painter, I began examining ways to create narrat...

Hi Dan, tell me about the Penfold Press, what is it? How does it work? I suppose the best way to describe it would be as a small scale print pub...

The Tiger's Bride, a new screen print by Clive Hicks-Jenkins is available from today. The print draws on Clive's love of Staffordshire Pottery. "...

Over the last week or so I've been working on a new screen print with Clive Hicks-Jenkins - The Tiger's Bride. The print see's Clive return to som...

To mark the release of Jonny Hannah's new double side screen print I got Monsieur McHulot, one of Jonny's biggest fans, to conduct an interview...

Clive Hicks-Jenkins talks about the Seamus Heaney poem Saint Kevin and the Blackbird and how it came to inspire his new screen print.   "The re...

For the past two years, Clive Hicks-Jenkins has been making a series of fourteen screen prints based on the medieval poem Sir Gawain and the Gr...

In the second part of my conversation with Emily Sutton we talk about her new Alphabet print - Q is for Quince and Quail, making screen prints and...

In the first of a two-part interview with Emily Sutton, we talk about our new project together - Penfold Pins - and discuss how her approach to pr...

To mark the release of a new Clare Curtis screen print here's look back at last October's issue of The English Garden magazine and a feature on Clare and her new screen print for the Penfold Press.

It's opening night at the Martin Tinney Gallery and your first chance to see the opening six prints in Clive Hicks-Jenkins new series of prints based upon Sir Gawain and the Green Knight.