Behind the Print

Clive Hicks-Jenkins sits below a framed copy of The Exchange   Expert framers Les Prince and Dave Harrison suggest the essential elements to consi...

This article first appeared in Issue 5 of Pressing Matters magazine.    With printmaking all too often a solitary endeavour, it's refreshing to he...

In the second part of their conversation, Clive Hicks-Jenkins and Edward Corey discuss Ed's latest novel The Swallowed Man and the influence pupp...

Clive Hicks-Jenkins and writer Ed Carey have become fast friends since working together on These Our Monsters, an anthology of short stories for E...

The Stain of Sin. Gouache and pencil crayon. Private collection.   Quite early in my career as a painter, I began examining ways to create narrat...

Hi Dan, tell me about the Penfold Press, what is it? How does it work? I suppose the best way to describe it would be as a small scale print pub...

The Tiger's Bride, a new screen print by Clive Hicks-Jenkins is available from today. The print draws on Clive's love of Staffordshire Pottery. "...

Over the last week or so I've been working on a new screen print with Clive Hicks-Jenkins - The Tiger's Bride. The print see's Clive return to som...

To mark the release of Jonny Hannah's new double side screen print I got Monsieur McHulot, one of Jonny's biggest fans, to conduct an interview...

Clive Hicks-Jenkins talks about the Seamus Heaney poem Saint Kevin and the Blackbird and how it came to inspire his new screen print.   "The re...

For the past two years, Clive Hicks-Jenkins has been making a series of fourteen screen prints based on the medieval poem Sir Gawain and the Gr...

In the second part of my conversation with Emily Sutton we talk about her new Alphabet print - Q is for Quince and Quail, making screen prints and...