Penfold Press Journal

    This is the first time Dan, and Jonathan and Kate at Starch Green have worked together, although obviously they have common aesthetic tastes...

  Here's a few photos from Friday night's official opening of Jonny Hannah's latest exhibition Shipbuilders and Fisherfolk. Celebrating the town a...

  Articulated Sir Gawain maquette made as preparatory material for the Penfold Press 'Sir Gawain and the Green Knight ' print series.   These arti...

In the lead up to the release of his new print, Jake Kennedy talks to printmaker Paul Cleden about his studio practice, his working relationship w...

What is an Original Screen Print Artists have been making screen prints since the early twentieth century, but they were made more widely known du...

UK illustrator John Broadley’s new print collaboration with Penfold Press is, amazingly, his first venture into the world of original printmaking....

Angela Harding’s new prints, loosely a triptych, show off the best of both Angela as an illustrator and Dan as a printer. The prints each work alo...

Hi Clive, when did your fascination with Sir Gawain first begin? I’d once read a retelling-for-children of the tale, the only bit of which that h...

James Russell talks to Emily Sutton to find out more about her eleven year collaboration with the Penfold Press and the success of her Alphabet Se...

Clive Hicks-Jenkins sits below a framed copy of The Exchange   Expert framers Les Prince and Dave Harrison suggest the essential elements to consi...

This article first appeared in Issue 5 of Pressing Matters magazine.    With printmaking all too often a solitary endeavour, it's refreshing to he...

In the second part of their conversation, Clive Hicks-Jenkins and Edward Corey discuss Ed's latest novel The Swallowed Man and the influence pupp...