Penfold Press Journal

In the second of the series of artist chats, I ask Jonny Hannah about his studio practice and what makes him tick as printmaker Mr Hannah, good to...

What's with the name? That's a question I get asked a lot. If they had to guess, most people think it references the Penfold character from the ch...

John Broadley reflects on his early years as an illustrator and his move from the North to the South.   I moved to London about three years after ...

This is the second print Mark and I have made together in 2025, following the publication of Marwari Horse back in June. Having proofed this new p...

Here's the second and final part of my peek behind the curtain and the making of Emily Sutton's W is for Walk.    Proofing the image Once transfe...

I recently finished working on Emily Sutton's latest print, 'W is for Walk.' It's a fabulous print, one that is rich with detail and has a charm ...

In the first of a new series of interviews, I sit down with some of the artists from the Penfold Press to find out a little bit about their work a...

Introducing Penfold Multiples As a printmaker, I've always appreciated the fact that I can gift prints from the studio to my friends and loved one...

To celebrate the release of his latest screen print 'Soho', John Broadley talks about his favourite London haunts... New Piccadilly Cafe - Situat...

  With his new print screenprint 'Soho', John Broadley takes us on a nostalgic journey back to the golden era of 70s TV, shedding light on his i...

  Jane Audas outlines the history of wall planners and looks at a few of the references used for the creation of our new Penfold Press Planner.  T...

    As we launch the first ever Penfold Press Planner we can confidently assure you that there isn’t really anything else like it out there. Dan B...